Date: 2016

Media: Wood, strings, sticks and cardboard 

Locations: Produced in Captiva Island at the Rauschenberg Foundation Residency 

Exhibited at the Historisk Museum, Oslo and on tour with Relational Undercurrents in L.A, New York, Delaware & Miami, Ruffin Gallery University of Virginia 

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“I have always drawn these submerged heads. They refer to a condition - to a state of being - of suspension, on the move, between territories, be it cultures, nations and other social constructs.…Maybe this (dis)respectful and investigative distance, or divestment in place, is old and simultaneously new – a way of living/being in perpetual uncertainty about owning or having to own.”

 

CHRISTOPHER COZIER / CAPTIVA / 2016